It was only the shape of him I saw at first, on my bedroom wall, standing stock still between two posters. One was of Disney heroines, which I had never taken down because my mother had bought it for me on my fifth birthday. In some silly way, it felt as if its removal would be like ripping her out of my consciousness. The other poster was Munch’s painting, ‘The Scream’, which frightened yet intrigued me.
Not that I had any, but if friends were ever to come up to my room, depending on whether they looked at the Disney or the Munch, they might have assumed that I was either much younger or older than my actual age.
At the time, I did not know that the shape between the posters was Dieter. He did not speak at that stage. I got the impression that he approved of the princesses. His attention, however, quickly shifted to the other image. He appeared to be twisting round to examine the chaotic swirls, and although he had no features as yet, somehow or other I knew that he was pulling a face.
During one visit, I am pretty certain I heard hissed words coming from the spot where he hovered: Entartete kunst, which I now know to mean degenerate art. If it was entartete, it struck me as a little incongruous that he seemed so fascinated by it. The notion came to me that he was drawing some kind of energy through his sense of repulsion; the more he stared, the more substantial he became.
Each time he reappeared on my wall, he seemed less vague. I would have taken the Munch poster down, only now, he wasn’t paying it much attention. Instead, he was peering at me. It made it almost impossible to sleep. The shadowy, eyeless form of Dieter on my wall staring at me, me staring back at him, willing him to fade away.
Only later did we begin to converse.
“How did you trace me?”
My voice was faint, barely more than a whisper, and did not even feel as if it belonged to me.
Even though his mouth was still shadowed, I could tell he was smirking.
“At first, I was searching for a red triangle,” he mused.
Of course, I knew what that meant. It marked me out as an enemy for political reasons.
“But seeing you here,” he sneered, “I realise I should have been looking for a black one.”
I understood this, too. It was the sign for those who had been locked away for being ‘asocial’ or ‘work-shy’, and included those who were mentally ill.
‘Blöd,’ he now mouthed at me.
‘Stupid!’
I’ve been called worse.
Nevertheless, it did not bode well. If I was lucky, I might just get away with forced sterilisation.
“Perhaps, I’ll make you a double triangle. Black on red.”